songsmith
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Songsmith Timmy Thomas pleads for peace
Here's a question which never grows old. It came back to me recently. I was watching the news, images of war, theft, violence, bullying and plain old nastiness when I realised that I had had enough. Who wants to see this? I needed a break. I turned on the radio. The intro began and I knew it immediately : "Why can't we live together" by Timmy Thomas. It felt like it was playing right off my inner juke-box. It was an old song suddenly new. The work of a true songsmith.
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David Bowie – Old song, new documentary
Today is David Bowie's birthday, which we still remember although, in a couple of days, it will actually be 10 years since he passed away. David Bowie Back In Berlin is a piece from 2024 about the song "Where are we now?" which I am reposting. this song announced the end of a strange searching period in Bowie's career after the massive success of "Let's Dance" in the mid-1980s. This transition is also the subject of a new documentary called "David Bowie - The Final Act".
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Songsmith Bruce Springsteen tells dark bedtime stories – and the world wants more
The album "Nebraska" by Bruce Springsteen was first released in 1982. We'd listen to a tape of it on the battery cassette player we took in our car on long trips. "Nebraska" was a twilight choice. With each song we carried an extra passenger who would briefly be there, tell their tale, then vanish, leaving space for the next one.
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Songsmith And Beach Boy Brian Wilson Gone But In Good Company
For a long time I saw The Beach Boys as a formula, a brand name and verrrry American, I thought. Which indeed they were : toothpaste smiles, sunshine lyrics and good times almost too good to be true. That would change in late 1975 thanks to Robin, a friend at Keele University. I was a music enthusiast at the time, but Robin was a music fan who was also a musician and totally unafraid of liking music which others considered too pop to be of interest. He knew what he liked, and he could tell you why it was good. He took me into the world of "Surf's Up" and…
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Songsmith Van Morrison And The Power Of Musical Resonance
Van Morrison is a great explorer of the power of resonance and in "Listen to the Lion" he gives us a powerful example. It's basically a love song, but it explores territories which are older and deeper than most love songs. It still resonates with me years after first hearing it. Let me try and tell you why.
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The Musical Box
Like most people, my musical box contains its own personal mix. You'll find stuff about discovery, about heroes. There are recollections of those songs which just won't stop playing on your inner juke box. There are also pieces on Tango, which I discovered in France, and which taught me to dance and to live and listen to music differently. I hope you enjoy the mix!
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Songsmith Wreckless Eric Singing About That Special Someone
Songsmith Wreckless Eric and that Special Someone. It's summer up here in the Northern Hemisphere and time to fall in love again. How about making that definitive this time? Not as easy as it sounds? Questions like these are at the heart of "(I'd Go The) Whole Wide World" by Wreckless Eric which tells the story of a mother's answer to her son's despair at ever finding that special someone. Take it away, Wreckless!
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Brass In Pocket
How can one song make such a big difference? "Brass In Pocket" is a fine example. It changed everything for The Pretenders in 1979 as the Songsmiths series explains in this latest post.
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Songsmith David Bowie Back In Berlin
At first hearing on the radio, "Where are we now?" sounded like somebody sleepwalking, a ghost from the past. Didn't I know that voice, that London drawl, that downbeat drag? By the chorus, it was clearly David Bowie. Released overnight unannounced as the lead track for The Next Day on 8th January 2013, Bowie's 66th birthday, "Where are we now?" was his first new solo single since 2003. It is also the subject of the next instalment of the series Songsmiths.
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Songsmith Chrissie Hynde and the Ladies’ Tea Party
The song "Brass in Pocket", which came out in November 79 changed everything for The Pretenders. A joint composition by Chrissie Hynde and guitarist James Honeyman Scott, it was so successful that it actually altered people's perceptions of the group's name : they were still Pretenders, but no longer pretending as in unending make believe; they were now pretenders as in contenders for the crown. Hope you like this latest piece in the Songsmiths series.
