Orality and Storytelling

I was drawn to orality even as a kid, loving accents, imitations, wordplay and narrative. An encounter with innovators in the use of storytelling in the foreign language classroom early in my teaching career enabled me to travel my own road through the oral tradition. This section of the blog is, I hope, a natural mix of experience and experiment. Much of what is published here will be put in writing for the first time.

  • Orality and Storytelling

    Lend me your eyes so my ears can see

    Audio description or AD is the oral narrative system used in film, and during certain live events such as theatre performances and sporting competitions, to compensate for the absence of images for the visually deficient. ADs of screenworks are pre-recorded, but for live events the description is spoken by the describer simultaneously with the event. In this post, beginning from the origins of AD, we'll visit the various stages involved in creating the audio description for a screen fiction by which an audio describer works to make the visual become verbal.

  • Orality and Storytelling

    The undertaker’s friend

    This piece first came to life as a spontaneous oral story when talking casually with friends about how narrative could just come out of the air. The man and the horse walking together were suddenly there and I followed them to the bridge. Later I realised it was an echo of an anecdote I'd forgotten from my mother's family who raised horses in County Cork on her father's side, and I wrote it down.

  • Orality and Storytelling

    Eye-awful wildfire in France

    I was at the beach in Leucate for a family afternoon when at around 4pm the sky began to change colour. Darker and darker, first taking the heat off the sun but in the space of less than an hour then stealing the light. It reminded me of a solar eclipse. People were still at the beach but the sky was no longer blue.

  • Orality and Storytelling

    Going against the flow : faces in the crowd

    Crowds can make us feel safe and give us a sense of belonging, but they can also make us feel uncomfortable and leave us dreaming of a space of our own. The same can be said of life online, where the invitation to click or share to show our approval or dispproval as one of the crowd is so difficult to resist. But how do we percieve somebody who breaks free from a crowd of whatever sort and takes their own path? A street photo by Alejandro Diez invites us to explore precisely that question.

  • Orality and Storytelling

    No Ordinary Rider

    What's independence? Freedom from being governed by another country. The ability to live your own life. The capacity to make decisions and do things for yourself. Here's a picture of somebody who you may not immediately turn your head to look at in the street, but who was noticed by a photographer. The result ? The very picture of independence.

  • Orality and Storytelling

    The Room Next Door

    Is there a door to death? Seeing the new Almodovar film about assisted dying sent me back to something I wrote down in answer to this question after seeing my mother for the last time. Quite a journey, but one which shows what happens when metaphors get real. Let me try and explain.

  • Orality and Storytelling

    Vehicle of Change

    My all time favorite automobile has to be a grey Morris Oxford Series II with red leather seats. It was our first family car which our dad turned up with one evening after work shortly before we moved house in the summer of 1964.